Sporting Blood (1931)

As horse racing movies go, Sporting Blood is an interesting and even unique one.

Through several opening title cards, the movie sets about with the intention of just telling the story of a horse, Tommy Boy, as he's transferred from owner to owner. The first half hour of the film is the best: Ernest Torrence plays the horse's first and most sentimental owner in an atmospheric, powerfully directed extended sequence. The sequence is also noteworthy (for 1931) for a portrayal of African Americans which isn't condescending or farcical. The Uncle Ben character (John Larkin) proves more instrumental to Tommy Boy's fate than any other.

Tommy Boy is shown sold to a succession of owners, each with diminishing respect or care for the horse. Then Clark Gable and Madge Evans enter the picture and it deflates. What had previously been a single-minded film about the fate of a horse becomes a late-in-the-game, conventional MGM love story about the redemption of sordid characters and the story of a horse.

One can imagine the producers' concerns that the story of just a horse wouldn't have the sex appeal needed for box office draw, but the Gable/Evans plot seems forced into a movie that was doing fine by itself.

Still, Sporting Blood is worth watching for some other good qualities: the direction, the Kentucky racing cinematography and the appearances of longtime silent film stars like Lew Cody and Marie Prevost.

Sporting Blood has been released on a Warner Archives DVD-R and is also shown on Turner Classic Movies.

The Cuban Love Song (1931)

The Cuban Love Song (not to be confused with the late-'20s MGM tune "The Pagan Love Song"), stars opera baritone Lawrence Tibbett as a WWI-era marine falling for Cuban Lupe Velez, while Karen Morley (unadvisably, if you ask me) waits for him to return to the states.

Imagine William Haines as an unfunny opera singer and you'll get the gist of this movie starring yet another annoying jerk we're supposed to cheer for (an early MGM specialty). At least with Haines you had laughs; here, you have "The Peanut Song" sung so many times you wonder if you'll ever eat peanuts again.

Tibbett's voice is a real force; he was one of the all-time great opera singers. I'm sure someone can tell me why he was wasting his time in Hollywood and recording popular tunes on 78s when he could have been onstage singing Verdi and Puccini. At any rate, MGM let Tibbett go after The Cuban Love Song flopped.

Lupe Velez is fine in a role more restrained than her later comedies, and Tibbett is backed up by the bizarre comic relief team of Ernest Torrence and Jimmy Durante (!).Torrence is wasted, and Durante is...Durante.

Warning: Mary found this film quite offensive, exploiting women in general and Cubans in particular; she thinks it may be the worst MGM we've seen. Recommended only for fans of the actors involved, or opera-singing sailors getting tattoos.

Not currently available on DVD. Has been shown on Turner Classic Movies.