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Like director W.S. Van Dyke's earlier White Shadows in the South Seas (1928) and Trader Horn (1931), Eskimo was another ambitious, expensive adventure filmed in a then-exotic local (Alaska) and again used many natives, this time Inuits speaking in their own tongue. The film also incorporates some amazing documentary footage of hunts for caribou, walrus and whales.
The film tells the story of Mala (played by Ray Wise, later Ray Mala), his family life, the daily fight for survival and his tragic dealings with the encroaching white culture. Though the movie threatens at times to sink under the weight of melodrama, and though the action sequences are riddled with ludicrous rear projection shots, the story is completely engaging. Its nearly two-hour running length goes by quickly.
I'll forgo the plot details and allow the film to surprise new viewers. Eskimo deals frankly with race relations (the most malicious character in the film is European) and the sexual mores of the Inuit (the film was tellingly distributed under the title Eskimo Wife-Traders). This is also definitely not a movie in which one can say no animals were harmed during the making. A ferocious fight to the death between a human and a wolf ends with the wolf getting its head smashed in with a rock! I was surprised at Turner Classic Movies' "G" rating for this one.
Director W.S. Van Dyke plays a Canadian official, while Peter Freuchen, who wrote the two books Eskimo was loosely based on, plays the aforementioned evil ship captain. Eskimo begins with a title card claiming that the only actors were those playing the Canadian parts, but that's untrue. Ray Wise was a cameraman and actor and the three female leads were Asian actors.
Eskimo hasn't been released on DVD.
Laughing Boy, based on the Pulitzer prize winning novel by Oliver La Farge, could have been a good film. The story - of a Navajo, Ramon Novarro, who marries a fellow Navajo educated by whites and torn between two cultures - is a fascinating one and it's unique in its complete sympathy with the Navajo; there's not a good white person portrayed in the film.
Sadly, though, Laughing Boy is a mess. Ramon Novarro is seriously miscast in the lead role. With his Prince Valiant-like haircut and too much makeup, he looks ridiculous. Also ridiculous are the anachronistic songs he's made to sing (or lip-synch), which made me wonder if Jeanette MacDonald was going to glide onstage and join in. Fellow Mexican actor Lupe Vélez fares somewhat better as Laughing Boy's prostituting wife, but exotic doesn't equal authentic.
The movie, directed by W.S. Van Dyke, was partly shot on location with real Native Americans (some of the location footage may be left over from Universal's earlier attempt to film the novel). When mixed with particularly bad rear-projection scenes, cheap looking sets and MGM actors dressed like Navajo, the result is worse than jarring. It's absurd and takes you right out of the picture.
Laughing Boy's fate worsened when the Hays Office demanded cuts which almost make the film nonsensible. Due to fear of controversy, MGM didn't promote the film and it lost money - continuing a pattern for Novarro's films which culminated in MGM not renewing his contract in 1935. Laughing Boy was Novarro's least favorite film of the ones he appeared in. Andre Soares, in his book on Novarro, Beyond Paradise, reports that novelist Oliver La Farge splashed a drink in the face of the screenwriter of Laughing Boy after the release of the film; the ultimate commentary on the film.
Laughing Boy is not available on DVD, but has been broadcast on Turner Classic Movies.
For hard-hitting, even harrowing pre-code crime drama, look no further than MGM's Night Court. If the film had been made in the '70s, it would have been directed by Martin Scorsese and written by Paul Schrader. (In the aughts, it could have been written by Neil Labute and directed by James Foley).
Walter Huston plays a relentlessly corrupt judge, so contemptuous of justice that he attempts to obliterate an innocent family just to suppress the mother's (Anita Page) inadvertent knowledge of his bank accounting!
I'll refrain from giving the details of the plot of a film that goes in some surprising directions. This severely overlooked film deserves the same company as Beast of the City and other early '30s crime dramas which have stood the test of time.
Night Court really has an all-star cast. It also features Lewis Stone, John Miljan and Jean Hersholt.
The now forgotten Phillips Holmes (he died in a mid-air plane collision in WWII) gives an interesting performance as Anita Page's husband. It's not a subtle one, but has a raw, emotional tinge that must have struck audiences at the time. In fact, some of the scenes in the film have such a spontaneity that it makes me, perhaps, rethink the work of the director, W.S. ("One-take-Woodie") Van Dyke, whose quick directing here has a freshness that a more fussy director may not have achieved.
Night Court also benefits from co-writer Mark Hellinger who, as a journalist at the New York Daily News and Hearst's New York Daily Mirror, had a better view of the New York criminal underworld than most Hollywood writers and was friends with Al Capone and Bugsy Siegel.
Night Court isn't available on DVD, but has been broadcast on Turner Classic Movies.
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